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The Pulp and
Paper Research Institute of Canada (Paprican) in Montreal and
the Atlanta-based Institute of Paper Science and Technology
(IPST) have signed an agreement to explore collaborative
possibilities, which could potentially lead to greater
services offered to its member companies across the continent.
The memorandum of understanding (MOU) that the two
institutions signed calls for creation of a high-level team to
jointly explore potential opportunities. The team, sponsored
by the presidents of the two research organisations, has been
asked to reach its conclusions by the end of April 2001. |
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From
Paprican comes a book, "Energy Reduction Monograph", which
clearly shows that all mills, whether
old or new, can tap into reasonable cost-effective ways to
reduce energy costs. The book also
shows that reducing energy costs leads to
lower greenhouse gas emissions and vice-versa.
Copies can be obtained from PAPTAC via
E-mail (pubs@paptac.ca), or by visiting its Web site (www.paptac.ca)
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Are You Young
and looking for a Job in the Pulp and Paper Industry? Here is
some good news from PAPTAC. In a Mill Manager’s forum, which
attracted many mill managers across Canada to discuss the ageing
workforce, the central question posed was, "Where is your
future workforce?" In a study that PAPTAC recently did on
the Canadian workforce, it confirmed that the average worker was
not getting older, it was already mature. The average age in
some mills is inching towards 50. A high proportion of industry’s
personnel will be announcing their retirements over the next 10
years. There are 150 mills in Canada, which employ more than 66
000 people, and the turnover could be as high as 40 per cent in
the next 10 years. The solution, mills were told, is attracting
younger people.
New Name for
the CPPA: On February 1, 2001, David Emerson, president and CEO
of Canfor Corp. and CPPA chairman, announced at the association’s
annual luncheon that Canada’s forest-products companies had
decided to strengthen and expand their national and
international promotion efforts, by creating the Forest Products
Association of Canada (FPAC). The association will represent
makers of pulp, paper and wood products across Canada. It will
incorporate and build upon successful efforts of the Canadian
Pulp and Paper Association (CPPA). Mr. Emerson is FPAC’s first
chairman and Ms. Lachappelle, CPPA’s president and CEO, is
FPAC’s first CEO. The new association’s mandate is to
promote Canada’s forest policy and forest management
practices. It will also promote free trade and a regulatory
framework to encourage the introduction of new technologies and
an internationally competitive cost structure.
The CPPA has
undergone a number of other changes in the past few years. In
October 1998, the former Technical Section of CPPA became an
association in its own right under the name of Pulp and Paper
Technical Association of Canada (PAPTAC), while the former
Woodlands Section became the Canadian Woodlands Forum. In 2000,
a decision by the CPPA board of directors to split off the
product sections and statistics resulted in the formation of a
new organisation called Pulp and Paper Products Council (PPPC).
The Council co-ordinates the activities of the product groups
and provides them with support services. These groups include
Market Pulp Producers Association, North American Newsprint
Producers Association, Printing and Writing Papers Association,
Packaging Mills Association of Canada and Paper Recycling
Association. The Council’s principal operating unit is the
Pulp and Paper Data Centre (formerly the Department of Economics
and Statistics of the CPPA). Its mandate is to produce
statistical and market research services to the product groups
and their member companies.
PaperWeek is the largest annual
pulp and paper meeting in the world. No doubt, there are too
many programmes in four days, with most of the technical
sessions crammed in a three-day span. But, much thanks goes to
the media such as PaperWeek International Reporter, a three-day
publication of Pulp & Paper Canada, which provided excellent
coverage of most of the events. This annual event also provides
a meeting place for delegates and visitors to become better
acquainted with the latest developments, to share their views
and, also, to generally socialize and meet new faces. As well,
mill personnel across North America get a decent break from
their monotonous work. It may be difficult to pick on any single
item that attracted most of the visitors’ attention. However,
one comes to mind: where is the paper industry headed in an era
dominated by Web-based technology? It might seem daunting:
reports and notes are being replaced by CDs and floppies,
society’s increased reliance on E-mail correspondence, and the
Internet becoming a recognized source of information in lieu of
books. Yet, none of these will lead to a paperless world, though
it might lead to somewhat less paper consumption in the years to
come. The industry will still be active through constantly
striving in such areas as making quality improvements, reducing
energy consumption and removing environmental burdens. As a
final remark, hats off to PAPTAC, EXFOR, FPAC, PPPC, the media
(Pulp & Paper Canada) and many others who collectively put
on an exceptional show year after year. This trend is sure to
continue for years to come.
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Intertech has announced that the agenda for its pulp and paper
development seminar, Single Species Market Pulps -
The Ongoing Quest for Uniformity, is complete.
This year's conference will be held on June 4-5, 2001 at the
Renaissance Hotel du Parc, in Montreal, Quebec, Canada.
The five
instructors for this year's seminar are: Celso Foelkel, former
Vice President of Riocell and currently President of Brazilian
TAPPI and a US TAPPI Fellow; David Hillman, Market Pulp
Technical Consultant; Brian McClay, former VP, CPPA and
currently President, TerraChoice Marketing Services; Dennis
McNinch, Director of Product Development & Marketing for
Domtar Pulp Sales; and David Smeltzer, Corporate Director of
Quality, Technical & Product Development at Cellu Tissue
Holdings.
The seminar will be conducted
as an interactive workshop and will address such topics as (1)
the emergence of Brazil, Canada and Indonesia as global
powerhouses in supplying single species pulps, (2) the global
pulp market situation - demand and capacity trends, and
political and environmental pressures, (3) opportunities for
high purity species softwoods, single species hardwoods, acacia,
eucalyptus, and mixed tropical hardwoods, (4) how to use
specialty pulps for product differentiation, (5) how to achieve
excellent fiber supply with an outstanding benefit/cost ratio,
and (6) ways to reduce manufacturing costs and simultaneously
improve quality and target key properties.
45th FIPAPO
Congress will be held on 7 and 8 June 2001 in the Thistle Hotel
in Edinburgh, Scotland.
An overview will be given on the gummed paper market in the
different countries. Also an end-user will be invited to give
his view on the product.FIPAGO is an international organisation,
combining the creativity and experience of the entire global
gummed paper industry: producers, converter, and raw material
and equipment suppliers.
The American
Museum of Paper Making presents "FOREST PRESENCE,"
showcasing the recent cast paper sculpture of Marjorie
Alexander. The exhibit opens April 12th and remains on view
through June 22nd, 2001. This installation features large
suspended handmade paper sheets, books, wall hangings and
three-dimensional floor pieces.
Marjorie
Alexander has worked with handmade paper for the past twenty
years. She explains her commitment to the medium: "Because
my art has always been guided by the universality of nature,
tempered by a sense of mystery and spirituality, the attraction
to paper as a medium (not just as a support) was, in a sense,
predictive." |

Marjorie
Alexander, paper sculptures, 2001 |
The idea of using a natural material -
collecting, preparing and processing - appealed to her
preference for spontaneity and intuitiveness. Even more
importantly, she found working with handmade paper has
"stimulated and intensified an awareness of the unique and
inherent relationship between the artist and her
materials." In a society where the integrity of basic
materials continues to erode, Alexander feels there is an
inherent and refreshing "joy of using plants identified as
useless, weeds and pests, to create a final useful aesthetic
product."
In "FOREST
PRESENCE," Alexander works primarily with fibers from the
inner bark of a Caribbean tree, the blue mahoe, to express her
powerful feelings about trees and the forest as an environment.
The largest and in many ways most moving work on display is an
arrangement of 16 large panels of blue mahoe paper embellished
with sumi ink, suspended from the ceiling and assembled in a
six-foot square, "The Forest." Another outstanding
work is purely sculptural, "Ghosts," a paper casting
using several different plant fibers cast over pieces of bark.
The exhibition also presents a number of artists’ books like
"Birches III," which combines fibers from basswood,
milkweed, abaca and birch trees with hand lettering into a
sumptuous object and text, as well as several multi-paneled wall
hangings. Alexander’s diptychs and triptychs are luminous
meditations on majestic power of the forest environment, a
private realm of filtered sunlight, rich browns and deep greens.
The artist aptly quotes Shakespeare to describe her intentions
for the Atlanta installation, "And this our life,/ exempt
from public haunt,/ finds tongues in trees."
Artist and educator Marjorie
Alexander earned her bachelors and masters degrees at the
University of Illinois, Champaign/Urbana in painting. Alexander
lives in Arden Hills, Minnesota, where she maintains a studio
with her husband Harold. Most recently her sculpture was
included in "Edible Paper or the Joy of Eating" at the
Museum der Stadt Deggendorf and the Leopold-Hoesch Museum in
Germany. With her husband, who is known for his work with
dimensional vegetable papyrus, she serves as technical
consultant for the Zabbaleen Project in Cairo, Egypt, and C.T.I.
Papyre Sent Lisi, in Castries, Santa Lucia, West Indies. Among
her many publications is "Selected Papers from Alternative
Agricultural and Weed Fibers", co-authored with her
husband. Alexander’s work is represented in numerous
corporate, university and private collections in the U.S.,
Japan, Italy, Germany and Jamaica.
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